ART IN THE AGE OF COVID-19: DIGITAL TRANSFORMATIONS AND THE IWO AWOLO CERAMIC EXHIBITION
Abstract
The COVID-19 pandemic has profoundly disrupted conventional lifestyles and operational practices, compelling individuals and organizations to adapt rapidly to new circumstances. As the pandemic intensified, technological advancements, which had been progressively developing throughout the 21st century, emerged as crucial tools for managing these unprecedented challenges. The transition to remote work became a necessity, reshaping traditional work environments and practices. This shift extended beyond professional settings, affecting various aspects of daily life, including cultural and recreational activities. In particular, art exhibitions, which traditionally relied on physical gatherings, faced significant restrictions. As a result, there was a marked increase in the adoption of virtual alternatives to physical events, enabling art communities and audiences to continue engaging with exhibitions and creative expressions despite social distancing measures. This study examines the role of technological advancements in facilitating this transition and explores the implications for future practices in art and other fields that were similarly impacted by the pandemic.
Keywords:
COVID-19 pandemic, Technological advancements, Remote work, Virtual art exhibitions, Adaptation to restrictionsDownloads
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DOI:
https://doi.org/10.5281/zenodo.13141862Issue
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References
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