DECONSTRUCTING BEETHOVEN'S PIANO SONATA NO.15 WITH SCHENKERIAN THEORY
Abstract
This paper uses Schenkerian analysis to explore the Beethoven Piano Sonata No.15 in D Major, Opus 28, focusing on the exposition sections of the first movement. Schenkerian theory is an analytical method developed by Austrian composer and theorist Heinrich Schenker. This theory can provide a deeper understanding of a piece's musical content by revealing its underlying structure. The relationship between theory and performance will be discussed to provide a more comprehensive analysis. This paper also demonstrates how Schenkerian analysis can illuminate the characteristics of Beethoven's music and influence how we hear his music. Through this analysis, we can better understand this work and appreciate its complexity.
Keywords:
Schenkerian analysis, Beethoven Piano Sonata No.15, Exposition, D Major, Opus 28Downloads
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References
Beach, David. “Schenkerian Theory”, Music Theory Spectrum Vol. 11 no. 1 (1989):3-14. https:// www.jstor.org/stable/745943.
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Forte, Allean and Gilbert, Steven. Introduction to Schenkerian Analysis. New York: Norton, 1982.
Pankhurst, Tom. Schenker Guide: A Brief Handbook and Website for Schenkerian Analysis. New York and London: Routledge, 2008.
Schenker, Heinrich, et al. The Masterwork in Music: Volume I, 1925. New York: Dover Publications, INC, 2014.
